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Hey, this is fun. Tim Riley writes:

Dear Ben, longtime fan, first time caller. Can you help me explain "passive" construction to my journalism students? Are there any examples when passive tense makes sense and proves useful? And what does the verb "TO BE" have to do with it, or not.

Tim, turn your radio down. I don't know if this would help with the students, but I always start out with the active voice, which is classic SUBJECT-VERB-OBJECT form. That is "Dick kicked Spot." To make it passive, you turn it around to OBJECT-VERB-SUBJECT: "Spot was kicked by Dick." The verb "to be" is always part of a passive construction, I think. The example I gave obviously doesn't seem ideal, for one thing because it adds two extra words (never a good thing in journalism, or in general). A problem also occurs when the passive leaves in its wake the insistent question "By who?" (or "By whom?"). Richard Nixon's press secretary, Ron Ziegler, famously said in...

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I frequently get questions over e-mail about writing, grammar, and usage. It struck me that it might be interesting and enlightening to share some of these on this blog, under the tag "Ask Me." So please go right ahead and e-mail me any questions, with the subject line "Ask Me." I'll answer you right here.

The first entry is below. Here and henceforth, please feel free to weigh in with comments, disagreements, even slings and arrows.

While considering for the umpteenth time what might be a rule to support what I think is the correct comma usage in a particular situation, I thought I should actually check. So I did, and found nothing on the usage. Perhaps you've considered the following use and would be willing to provide your views.

If Jane Doe sends me helpful information in an e-mail, I might reply with a message that begins, "Thanks, Jane." It seems to me that a comma belongs after the declaration of thanks, in part because "Thanks Jane"...

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Today is the official publication date of my new book, How to Not Write Bad: The Most Common Writing Problems and the Best Ways to Avoid Them. (Pause for collective "Yay!") Like every author I know, I'm obsessed with the rankings of my books on Amazon.com. If you are not so obsessed, I'll explain that the site ranks the relative sales of every book it offers, from number one--currently American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History--all the way down to, oh, number 3,000,000 or so.

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I'm just now catching up with Vanity Fair's January special comedy issue guest-edited by Judd Apatow (props to VF for not using the word "curated"!). I'm somewhat bemused by Apatow's having assumed the position of comedy's capo di tutti capi; his funniest movie by far, in my thinking, is "Superbad," which wasn't even really his movie. (He produced, Greg Mottola directed, and Seth Rogen and Evan Goldberg wrote the screenplay.) But I am a fan (one of the few, it sometimes seems) of Apatow's "Funny People," a painfully truthful portrait of an unhappy and not nice comedian, played by Adam Sandler. I guess the big thing I respect about Apatow is that at least he takes comedy seriously.

The Vanity Fair issue has a lot of good stuff in it; if you can find it at a yardsale or read it online, I commend it to your attention. There's a nice profile of one of my favorite all-time funny people, Martin Short, and a meaty oral history of the cult-classic TV show Apatow produced...

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That's D as in "drop," the music-industry slang term for a record's release. I am determined to use it whenever possible in reference to the publication on Tuesday of my new book, How to Not Write Bad: The Most Common Writing Errors and the Best Ways to Avoid Them. If you are so inclined, please go ahead an pre-order the book here. (Or, if you're coming to this post after 2/2, you can go ahead and order it.) No salesman will come to your door.

The book has already gotten some nice attention, in large part thanks to the efforts of Fiona Brown, crack publicist at Riverhead Books. A few days ago, Katy Steinmetz of Time Magazine did a nice Q and A interview with me under the title...

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